Peking Duk On Things To Come and Their Nights Out (Interview)
โ€” Updated on 2 August 2021

Peking Duk On Things To Come and Their Nights Out (Interview)

โ€” Updated on 2 August 2021

By Garry Lu (@mrputneyswope)

Multi-Platinum and ARIA award winning Canberra duo Peking Duk are back at it again, working their regular chart-topping magic with the release of the latest single, Stranger, featuring Elliphant. We sat down with Adam, one half of Australiaโ€™s EDM sweethearts, to talk things to come, staying on desired paths while establishing themselves in the scene, and Rich Homie Quan.

Did you ever expect to reach this massive level of success all from your bootleg of โ€œTake A Walk?โ€ Better yet, was this always the end game or were you guys just seeing how far you could take it?

I guess it all started outโ€ฆ we were young, dumb, and full of cum. We were just working on music, Reuben was in bands, I was doing some punk shit, and some hip-hop shit that wasnโ€™t too good. We were just getting started, but once we started to realize what we could do with music production, I guess, once you get a hold of a laptop and realize what you can do with it, we realized we could take it somewhereโ€ฆ We are completely blown away with how far weโ€™ve taken it thus far. But, I donโ€™t know. I think ten years from now, we want to be sleeping with snow leopards and Lionel Ritchie singing us to sleep and thatโ€ฆ maybe something neon too.

You guys have pretty much cemented your status as hard partying legends. Do you think thatโ€™s why you have such a talent for producing these EDM anthem tracks, or is it more of a conscious effort?

Well itโ€™s kind of funny, because we spend a lot of time on the road doing these wild club gigs and festival shows which are very loose and very sweaty. And we do like to party, but then, you know, after that thereโ€™s obviously some downtime as well when weโ€™re in the studio. And itโ€™s kind of like the perfect contrast. So for the album weโ€™ve got a bunch of music that I think people arenโ€™t really going to expect. Like there are bangers on there, but thereโ€™s alsoโ€ฆ I donโ€™t know, some stuff that sort of tickles the heart a little bit, in a very nice way.

I get what youโ€™re saying. So with your latest single, Stranger, what lead you to this sort of comparatively broodier direction in terms of atmosphere? Itโ€™s still upbeat, but itโ€™s a song where you feel something deep down in your gut, like thereโ€™s something at stake.

I think Rich Homie Quan said it best when he said, โ€œSome type of way.โ€ Because it makes you feel some type of way. You know?

I donโ€™t think Iโ€™ve ever met another Rich Homie Quan fan in real life.

Youโ€™re a fan of Rich Homie Quan too? Heโ€™s dope. Heโ€™s dope. I thinkโ€ฆ weโ€™ve been working on a bunch of music, as I was saying before, I think it was a perfect offering of what weโ€™ve been up to. I mean, itโ€™s a nice upbeat song like you said, with something thatโ€™ll make you feel some type of way. And Elliphantโ€™s a G. Weโ€™ve been working with her quite a bit, and it just felt right, you know? The weatherโ€™s heating up down in Aussie, and its good times. As the Kiwis say, โ€œAussieโ€. Iโ€™ve never said that in my entire life. [Adam tries the same line in a Kiwi accent.] That was a South-African accentโ€ฆ Itโ€™s like if Hugh Jackman had a baby with Rich Homie Quan.

Have you seen Elysium? Heโ€™s got a South-African accent there.

Oh, dude. I havenโ€™t seen it. Iโ€™ve been meaning to.

Heโ€™s got like a mullet, he wears khaki shorts through the entire thing. It was a trip.

I actually had a dream the other night that I was drinking beers with Hugh Jackman. And thenโ€ฆ yeah. Then he left the kick on.

He seems like a pretty wholesome, nice kind of guy in the public eye. But beyond that, he could be loose as. What do you reckon?

Yeah, Iโ€™ve got this concept in my head that heโ€™s just this maniac. Like screaming at walls and shit like that. But I donโ€™t know the guy, so I donโ€™t know.

The fact that Elliphant was almost not on Stranger has recently become quite public. During this process, was there a vision that you maintained that always included Elliphant, something in your mind that just knew she belonged on the track and if so, how do you balance the initial vision with the evolving end product?

Well I think thatโ€™s the whole thing. We were so persistent with it, and I know in the back of my head, the whole thing was, โ€œSheโ€™s going to be on the jointโ€. She had to be on the song. The song was going to be corny without her on it. We just kept pushing for it. When we first heard the beat, itโ€™s funny because I wasโ€ฆ it was like, Iโ€™m not going to name names, but we had a few different people in mind. And then, we did another song with Elliphant earlier which is sort of in the back of the pile now, but it all happened very naturally and then everything was sweet. And then it was like, โ€œNah, the beatโ€™s there, the vocalโ€™s there, but the melodyโ€™s not good blah blah blahโ€. We were persistent with it, it just kept happening. Elli was like, โ€œNah, fuck this shit, I donโ€™t want to be on the song. You guys do the thingโ€.

She didnโ€™t say it like that, but you could tell where she was going with it. And we were like, โ€œNah, nah, weโ€™ll do it like this, weโ€™ll do it like thatโ€, and whatever. And it worked out great in the end. We were talking about it again with her last night and sheโ€™s like, โ€œIโ€™m so fucking happy that Iโ€™m on the songโ€. Itโ€™s a weird kind of love story of a song, but it worked out in the end.

I think I read somewhere that you werenโ€™t quite satisfied with the reception of Say My Name. How do you, as artists, try to manage expectations?

I wouldnโ€™t say we wereโ€ฆ it makes sense, you know. When I listen to that song now, to be honest, Iโ€™m sort of like, โ€œFuck, we shouldnโ€™t have put that out thenโ€. Actually, if I could turn back time, maybe in a later stage or something. It wasnโ€™t the right move to put that song out then. Weโ€™re still establishing ourselves with everything, and thatโ€™s a very different vibe when you compare it to Take Me Over or High. It wasnโ€™t received in the way that, I guess, weโ€™d sort of built up in our heads that it would be. But thatโ€™s life. Sometimes you think things will work and they donโ€™t. We learnt a lot from it. Not to take anything away from that songโ€ฆ looking back itโ€™s like, โ€œOhโ€ฆ fuck, we took an L on that oneโ€. Weโ€™ll keep going for it. In no way am I saying that was a loss of a song, that sounds dog. In the words of Rich Homie Quan, it makes me feel some type of way.

Back onto the whole topic of being hard partying legends, whatโ€™s the breakdown of a regular Peking Duk turn up night?

It varies man, sometimes it gets weird, sometimes it gets plain awkward. It all depends, you need to give me some scenarios if weโ€™re going to talk shopโ€ฆ Couple beers turn into a breakdance battle, weโ€™ll throw on some silly hats, maybe some sunglasses, and weโ€™ll see what happens. The staplesโ€ฆ good music, a Twister mat, and a box cassette of Ace Ventura. VHS that is. Box cassette. Is that even a word? I donโ€™t know. A Celine Dion mixtape to really get the mood going, if you know what I mean.

Youโ€™re set to play at the FOMO festival in Parramatta alongside the likes of Slumberjack, George Maple, and Empire of the Sun. Any expectations?

Just waiting to have a drink with Desiigner.

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