UNIQLO Bets Big On Melbourne With Largest Australian Flagship
โ€” 28 November 2025

UNIQLO Bets Big On Melbourne With Largest Australian Flagship

โ€” 28 November 2025
Jack Slade
WORDS BY
Jack Slade

UNIQLO has opened its reimagined Emporium Melbourne flagship, marking the Japanese retail giantโ€™s biggest and boldest Australian statement yet.

At just under 4,600 square metres and almost 50% grander than its predecessor, the store represents a complete reinvention of how the brand engages with local customers, more than a decade after first arriving on Australian shores.

The centrepiece is UTme! โ€“ UNIQLOโ€™s in-store customisation service has finally made its Australian debut. Essentially, customers can now design personalised tees and totes using launch exclusive stamps from Melbourne collaborators, including multidisciplinary artist Beci Orpin, cult sandwich shop Hectorโ€™s Deli, and street artist DOCG, whose cartoon-inspired work features his signature โ€œDOCG Eyesโ€ motif.

RELATED: We Got B.H. Fans To Model UNIQLOโ€™s Latest Collection

Pre-printed designs are available alongside DIY printing stations, transforming the store into part retail space, part creative studio where shoppers can create wearable art that reflects their personal style or the cityโ€™s vibrant culture.

The reopening doubles as a cultural celebration. UNIQLOโ€™s โ€œPeople Campaignโ€ spotlights Melbourne personalities who embody the brandโ€™s LifeWear philosophy: from Nova breakfast host and sports journalist Clint Stanaway to Olympic gold medallist rower Lucy Stephan, watercolour artist Hieu Nguyen (Kelogsloops), and alt-pop singer-songwriter Phoebe Go. The move deliberately positions UNIQLO as part of Melbourneโ€™s creative fabric rather than simply a Japanese import seeking local relevance.

โ€œThe issue we had in our Emporium store, it just wasnโ€™t big enough for customers to have a pleasant shopping experience,โ€ explains Tim Routley, UNIQLO Australiaโ€™s CFO.

With 55 fitting rooms and significantly expanded floor space, the new design addresses years of customer feedback.

โ€œPeople were saying, โ€˜Look, I feel rushed.โ€™ So what weโ€™re hoping is this will be a much nicer shopping experience.โ€

RELATED: Richard Mille Spectacularly Touches Down In Sydney With First-Ever Aussie Boutique

Yesterdayโ€™s grand opening featured traditional Japanese taiko drumming and a ribbon-cutting ceremony as ceremonial nods to UNIQLOโ€™s heritage; gift bags await customers spending over $100 throughout the opening period. But the real draw is the store itself โ€“ designed to showcase the full breadth of UNIQLOโ€™s offering without the cramped browsing that plagued other locations.

The investment signals considerable confidence in a market that could easily be treated as peripheral. Yet with over 2,500 stores globally and Fast Retailingโ€™s ยฅ3.4 trillion in backing, UNIQLO appears to be playing the long game in Australia. The Emporium flagship, complete with its customisation stations, expanded inventory, and local creative partnerships, suggests the brand views Melbourne as a legitimate centre of influence rather than a satellite market to be serviced with cookie-cutter templates.

The message is clear: when youโ€™ve genuinely listened to customers, sometimes the answer isnโ€™t optimisation but simply scaling up.

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Jack Slade
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Jack Slade is the founder and Managing Editor of Boss Hunting. Originally hailing from Melbourne, Jack started Boss Hunting from his bedroom while working at a digital agency. His favourite topics include technology, flight deals, travel, and champagne.

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