Francis Ford Coppolaโ€™s Watch Just Became The Second Most Expensive In Auction History
โ€” 9 December 2025

Francis Ford Coppolaโ€™s Watch Just Became The Second Most Expensive In Auction History

โ€” 9 December 2025
Nick Kenyon
WORDS BY
Nick Kenyon
  • The personal F.P. Journe FFC prototype watch owned by Francis Ford Coppola has sold at Phillips for US$10,755,000 (~AU$16,228,000).
  • This auction result is the highest price ever achieved for a timepiece from an independent watchmaker, and the highest price since the sale of Paul Newmanโ€™s Rolex โ€œPaul Newmanโ€ Daytona in 2017.
  • The watch was sold, in part, to cover losses from the Coppola-produced and directed 2024 film Megalopolis.

Itโ€™s been a little while since weโ€™ve seen a watch achieve more than $15 million at auction, but thatโ€™s exactly what a timepiece belonging to legendary Hollywood director Francis Ford Coppola just did at a recent Phillips auction.

The watch in question? None other than a Coppolaโ€™s personal F.P. Journe FFC prototype, which sold for US$10,755,000 (~AU$16,228,000) including fees after a bidding war that lasted 11 minutes. This staggering figure is not only the highest price ever paid for an F.P. Journe watch, but itโ€™s also the highest price paid for a timepiece from an independent watchmaker, and the highest price paid for a watch since the US$17,752,500 (~AU$26,307,021) sale of Paul Newmanโ€™s Rolex โ€œPaul Newmanโ€ Daytona in 2017.

What makes this watch special, beyond the world-class provenance of Coppola himself, is the extraordinarily unusual way the dial tells the time โ€“ an idea that both Journe and Coppola collaborated on. Featuring a central hand wearing a medieval knightโ€™s gauntlet, the fingers of the hand will instantaneously disappear from view to communicate the hours, while an arrow that rotates around the dial tells the minutes.

Beyond his close work with Coppola in the creation of this watch, Journe was also inspired by Ambroise Parรฉ, a French barber-surgeon from the 1500s who is remembered as an early innovator of prosthetic limbs. Parรฉ became famous for his development of a prosthetic hand nicknamed โ€œLe Petit Lorrainโ€, which was capable of gripping objects thanks to a mechanism of gears and springs inside the hand, which is clearly referenced in Journeโ€™s design.

This wasnโ€™t the only Coppola-owned watch that Phillips sold in this auction, with the sale also featuring the directorโ€™s F.P. Journe Chronomรจtre ร  Rรฉsonance โ€œFFCโ€, which was given to him by his late wife, Eleanor Coppola, in 2009 and led to the first meeting between Journe and Coppola. The Chronomรจtre ร  Rรฉsonance โ€œFFCโ€ also achieved an impressive result, selling for US$584,200 (~AU$)880,900.

While itโ€™s an exciting moment for the collecting world when significant watches with world-class provenance come to the market, the reason for Coppola selling these watches isnโ€™t as joyful.

In 2024, the film Megalopolis was released, which Coppola not only directed but also poured about $120 million (~AU$180 million) of his own money into creating. Starring big names like Adam Driver, Aubrey Plaza, Shia LaBeouf, Laurence Fishburne, Dustin Hoffman, it was a commercial failure and only grossed $14.3 million (~AU$21.5 million), leading to a significant hit to Coppolaโ€™s net worth.

During a March appearance on Rick Rubinโ€™s Tetragrammaton podcast, Coppola revealed he was very tight on cash, explaining, โ€œI donโ€™t have any money because I invested all the money that I borrowed to make Megalopolis. Itโ€™s basically gone. I think itโ€™ll come back over 15 or 20 years, but I donโ€™t have it now.โ€

While Megalopolis was eventually a disappointing result for Coppola, it did represent a decades-long creative project for him, having started work on the film all the way back in 1983 and being knocked back by studios in both 1989 and 2001 when he sought to fund it. At a minimum, he finally created a project heโ€™d long dreamed of, gave a watch collector a chance to buy a very special timepiece, and set a record for F.P. Journe watches in the process.

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Nick Kenyon
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Nick Kenyon is the Editor of Boss Hunting, joining the team after working as the Deputy Editor of luxury watch magazine Time+Tide. He has a passion for watches, with other interests across style, sports and more. Get in touch at nick (at) luxity.com.au

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