โ€˜Challengersโ€™ Director Luca Guadagninoโ€™s First Hotel Is Inside A Baroque Roman Palazzo
โ€” 14 August 2024

โ€˜Challengersโ€™ Director Luca Guadagninoโ€™s First Hotel Is Inside A Baroque Roman Palazzo

โ€” 14 August 2024
Randy Lai
WORDS BY
Randy Lai
  • The property, named Palazzo Talia, sits on the former site of Romeโ€™s 16th-century Collegio Nazareno.
  • Inside, guests can choose between 26 rooms โ€” including the eponymous Talรฌa suite โ€” in addition to a signature bar, restaurant, & spa.
  • Bookings are currently available, starting at a nightly โ€œGrand Openingโ€ rate of โ‚ฌ565 (AU$935).

Luca Guadagnino, the Italian-Algerian auteur behind such steamy films as Call Me By Your Name and A Bigger Splash, is now officially getting into the hotel game.

A creative force of famously chameleonic taste, Guadagnino was already well-known โ€” outside of his de facto art form of cinema โ€” for working with Italian fashion houses Fendi and Salvatore Ferragamo.

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Yet his first foray into luxury hospitality, dubbed Palazzo Talia, is a properly new manoeuvre: employing a range of disciplines that, until recently, youโ€™d had have to be a movie star, in the mould of Swinton or Chalamet, to witness in action.

Working alongside the team at his eponymous architectural studio, Guadagninoโ€™s goal was to transform the site on which Palazzo Talia now sits โ€” home, until 1999, to the charitable scholastic order known as the Collegio Nazareno โ€” into โ€œintimateโ€ lodgings with a maximalist aesthetic.

Studio Talia

โ€œIf you come to Rome, a hotel like this, you want to diffuse yourself in beauty, comfort and sadness,โ€ says Guadagnino (via Financial Times). โ€œFor me, everything needed to exude that pleasure.โ€

The Italian directorโ€™s dogged pursuit of the P word has proven successful: particularly in the common areas of the hotel, where the Collegioโ€™s late-renaissance canvas is injected with warm, lived-in detail.

In the reception area, visible from across the cobblestone streets, Guadagnino has placed a three-metre-long chandelier (crafted by Venetian artist Napoleone Martinuzzi) along with a sofa reupholstered in Dedar fabric.

Like virtually everything else in this universe, both objects were custom-built for Palazzo Talia and speak to Guadagninoโ€™s desire for aesthetic contemporaneity.

โ€œWe didnโ€™t want to deny the presence of the Collegio,โ€ he observes. โ€œIn Rome, I find thereโ€™s sometimes still a resistance to the idea of dialogue with the contemporary.โ€

The hotelโ€™s modern aspect, which shall be crucial in securing the patronage of well-heeled Roman locals, feels most alive in the hotelโ€™s elegantly informal F&B spaces. At Tramae Restaurant, Executive Chef Marco Coppola invites diners on a โ€œculinary Grand Tour of Italy,โ€ supplemented by the usual handful of international morsels.

Palazzo Talia
Pictured: A four-poster bed and custom furnishings inside one of the hotelโ€™s Grand Junior suites.
Pictured: The main dining room of Tramae Restaurant, featuring a recurring mosaic motif and Fratelli Levaggi chairs.

A fiendish amount of the main dining room is taken up by banquette seating, emptying into the hotelโ€™s central courtyard. That area is shared with patrons of the hotelโ€™s โ€œsmall, elegant treasure chestโ€ of a bar, Della Musa.

Offering a range of classic Italian drinks and signature cocktails in an intimate, nook-like setting; Della Musa clearly illustrates, once again, how Guadagninoโ€™s team are tackling the task of redefining august old spaces.

Decorative stucco portals sit alongside lava-stone tabletops (commissioned from Made a Mano) and overhead, every fiddly detail is eclipsed by Grotesque ceiling murals โ€” a reminder of the buildingโ€™s storied, patrician origin.

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โ€œItโ€™s a great place to find a wife,โ€ observes Guadagnino somewhat drolly. And if not your soul mate: surely, at least two other like-minded travellers game enough to re-enact Challengers.

Who could resist a vibe this palatial?

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Randy Lai
WORDS by
Following 6 years in the trenches covering consumer luxury across East Asia, Randy joins Boss Hunting as the team's Commercial Editor. His work has been featured in A Collected Man, M.J. Bale, Soho Home, and the BurdaLuxury portfolio of lifestyle media titles. An ardent watch enthusiast, boozehound and sometimes-menswear dork, drop Randy a line at [email protected].

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